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GAIL BARKER

Born in Saffron Walden, Essex, attending a Quaker primary school, then a farm school
all influenced my love of space and the simple rhythms of daily life.

In 1977 I moved to Rochester, N.Y. continuing making art through evening classes.
In 1989 I moved to New England and enrolled as a full time student at the School of the Museum of Fine Arts, Boston.

After graduation, art as process has been my refrain.
My daily motions, rituals and activities all serve as prompts allowing me to incorporate walking, making journeys, contemplative solitary actions becoming drawings, sewing into paper, wrapping sticks, paper manipulation and occasional performance.  I often work with my eyes closed, listening to music as the physical feel of the paper or canvas is of importance;  the act of sewing and the act of knitting is more important than the outcome…allowing spontaneity and surprise.

In 2008 I returned to the U.K. and now reside in Bath.

2026 Larkhall Open Studios
2026 Bath Open Studios, 44AD
2025 Jane Deering Gallery, Gloucester, MA (group exhibition of postcards)
2025 Bath Open Studios, 44AD
2024 Storefront Art Projects, Watertown, MA (Sticks, Stones and Words)
2022 Concord Art Gallery, Concord, MA (The Conceptual Stitch)
2018/2019 Larkhall Open Studios
2018 The Royal Academy of Arts, London The 250th Summer Exhibition curated by Grayson Perry R.A.
2006 Solo Exhibition at Carney Gallery, Fine Arts Center, Regis College, MA
2004,2005,2006, Jane Deering Gallery Studio 412A Boston, MA
2007 Jane Deering Gallery, Annisquam, MA
2004 Wenham Museum, Wenham, MA
2003, 2004, 2005 Ginger Druchyk Gallery, Glastonbury, CT
2001 Brick Bottom Gallery, Boston, MA
2000 Glen Urquart School, Beverly Farms, MA

Performances
2015 Back to Where We Have Not Quite Been, The Arnolfini Gallery, Bristol
  Collaboration with Fourthland, Co.UK
2013 The Passing, Fringe Arts, Bath with Fourthland.Co.UK
2013 A ten day residency with Fourthland in London in which notions of time, memory and rhythm were developed and resulted in the performance pieces.

Photography by Jon Tonks

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